Japanese piano prodigy how to#
Japanese piano prodigy full#

After its evocative Adagio introduction taut with suspense, the orchestra segued into its following Allegro Vivace section, with the maestro’s choice of tempo seeing the players at times barely able to keep pace. The evening also included Beethoven’s Symphony No. Under Lehninger’s baton, this performance also became a study in contrasts, including bold brass and shimmering strings that nonetheless sometimes lacked cohesion. The program opened with Verdi’s Overture to La forza del destino that signals its dramatic intent by its opening, arresting, six-note motive. This led to an even more enthusiastic second ovation with loud whistles and cries of “bravo!”

Japanese piano prodigy full#

It proved the perfect choice after the more genteel Mozart, as Garrett could now unleash her full arsenal of pyrotechnics, including cross-hand playing, lightning speed chromatic runs and thundering octaves. Here, Garrett’s sheer joy of music-making seemed to spill over her keys, practically dancing on her bench as she tossed off quicksilver runs, syncopated accents and lightly executed ornaments.Īs expected, the clearly charmed audience leapt to its feet in a standing ovation, leading to an encore of Liszt’s La Campanella. Then it became time for the finale Presto.

She approached the following Andante with resonant simplicity, including its opening, luminous solo that will only deepen emotionally with each passing year. She continues to give solo recitals and concerts worldwide and is also lauded for her humanitarian work.Īnd what a pleasure it is to see Garrett on this stage again.Īfter striding to the piano, flashing a shy smile with a bouncing ponytail, the poised artist launched into Mozart’s opening movement Allegro that provided the first taste of her sparkling technique. The Los Angeles-based Garrett first shot to fame after appearing on television’s Ellen show in 2009 and has garnered numerous awards and accolades including first prize at the 13th Osaka International Music Competition, as well as the Chopin International Competition, among others.

11.įriday night’s concert, titled Umi Garrett: Piano Prodigy also marked the WSO debut of maestro Marcelo Lehninger, now in his third season as music director of the New West Symphony Orchestra in Los Angeles following a prior appointment as associate conductor of the Boston Symphony Orchestra. The American-Japanese artist last performed here in November 2013, wowing local audiences with her stunning artistry and heartfelt interpretation of Chopin’s Piano Concerto No. Despite labour shortages since the 1960s, authorities resisted officially sanctioning foreign workers. It is reasonable to equate Japans rapid post-war economic development to the 1990s with social solidarity and conformism. 488 as it launched its newly monikered Classics A series. Japanese people appear at first glance to be one of the most socially and ethnically homogenous groups in the world. The Winnipeg Symphony Orchestra featured dazzling guest pianist Umi Garrett, 15, performing Mozart’s Piano Concerto No. How fitting that one wunderkind should perform music composed by yet another remarkable child prodigy. She loves teaching music to children and enjoys learning together with them.This article was published (2498 days ago), so information in it may no longer be current. Reiko teaches at Florentine Yamaha Music School. She also works as a piano accompanist for choir concerts at Midtown West School (P.S.212) and the Churchill School and Center and more. Reiko has performed at Apollo Theatre, Prospect Park Bandshell, Perk's, and many other venues. In Music Education (Piano Petagogy) from William Paterson University of New Jersey in 2016. In Jazz Piano Performance and earned an M.M. She graduated from the City College of New York in 2011 with a B.F.A. Reiko moved to New York and studied jazz under Garry Dial, Ray Gallon, Mike Holober, and Helen Sung.

Japanese piano prodigy how to#

She periodically attends Yamaha education conferences for teachers where she continues to learn new ideas and techniques on teaching piano to beginners and how to make learning music fun. Reiko taught at the Yamaha Music School in Chiba, Japan, for 9 years and is a certified Yamaha Education System music teacher.

She worked as a piano accompanist for the Fuji Choir and as a forte piano player at the Min-On Music Museum in Tokyo. She is a graduate of Musashino Academia Musicae in Tokyo, where she received a B.M. Reiko started learning piano when she was 3 years old.